GLAZING OIL PAINTING 2 DAY INTENSIVE (Todd Bonita)
GLAZING OIL PAINTING 2 DAY INTENSIVE
(10am - 4pm) Limit 15 ($300)
This two day, intensive painting class will introduce you to the classical approach of creating a monochromatic grissaille underpainting, followed by layering and glazing with oils. This time-tested, Renaissance technique that has been modified over 600 years, has simplified the oil painting process. By compartmentalizing and breaking down the steps of painting into smaller, manageable wedges, artist are better able to control the entire process and thereby, better able to express themselves. We will complete a single painting over the course of two days, slowing down to completely dissect and comprehend each step. This is packed with valuable information that has been passed down through centuries by the great masters.
(10am - 4pm) Limit 15 ($300)
This two day, intensive painting class will introduce you to the classical approach of creating a monochromatic grissaille underpainting, followed by layering and glazing with oils. This time-tested, Renaissance technique that has been modified over 600 years, has simplified the oil painting process. By compartmentalizing and breaking down the steps of painting into smaller, manageable wedges, artist are better able to control the entire process and thereby, better able to express themselves. We will complete a single painting over the course of two days, slowing down to completely dissect and comprehend each step. This is packed with valuable information that has been passed down through centuries by the great masters.
REGISTER:
Contact Todd Bonita
Phone: (603) 819 -9100
Email: [email protected]
Please bring to first class:
SYLLABUS
(Day 1) Introduction, underpainting demonstration.
Supply List
(I buy my supplies at Jerrysartarama.com, Dickblick.com, Cheapjoes.com, Utrecht.com)
Please bring a table easel or portable standing easel...I have extras if you don't have one so please let me know if you need one.
Palette
I recommend a wood palette. I have glass too for one of my boxes...try to avoid paper palettes..
Paint
A simple split primary palette is more than enough. Feel free to bring whatever paints you have in your art box. Here are the paints I use below:
* Alkyd Titanium White (Alkyd is a quick dry paint that plays nice with oils).
* Cadmium Yellow Medium
* Yellow Ochre
* Cadmium Red medium
* Alizeran Crimson Permanent.
* Ultramarine blue
* Cerulean Blue
* Sap Green (alternative).
(Pro-tip: Winton is student grade, please don't buy this as it is filled with a lot of binder, filler and less pigment).
Painting surface
Canvas, canvas or linen mounted on board or gessoed wood panel...I recommend (8x10”) or (9x12”). Please don't use the Michaels gessoed panels that are super slick.
Brushes
*Assortment of bristle brushes (I suggest medium and small sizes in three styles: Flats, Rounds and Filberts. I mostly use Robert Simmons Signet series flats #3, #6)
*Small synthetic rounds for details. (I suggest Winsor and Newton Septre Gold 2 in the 404 series...size 4 and / or size 6)
* I also use chip brushes, quarter inch, half inch or up to two inch for broad areas. These are the cheapo type you get from the hardware store for about a dollar.
Other
*Trowel type Palette knife
****Gamsol (Turpentine substitute) with container or medium glass jar (No turps aloud in studio, sorry, please use Gamsol.
*paper towels (Blue shop towels are the best)
*Soft pencil, eraser and sketchbook
*Ruler, straight edge or a mahl stick (something to make straight lines with is handy)
*Artist paint box for supplies
*Wet paint carrier. I love the PanelPaks...they are lightweight and convenient or you could use a pizza box.
**(I have extras of everything so please do not stress or panic if you can’t something etc…For best deals, shop online at Jerrys Artarama, Dick Blick, Utrecht or Cheap Joes.
Recommended reading
www.toddbonita.com
www.toddbonitagallery.com
Contact Todd Bonita
Phone: (603) 819 -9100
Email: [email protected]
Please bring to first class:
- One 8x10” gesso canvas or panel.
- Art Supplies (List is below syllabus)
- Handmade Value scale with nine values
SYLLABUS
(Day 1) Introduction, underpainting demonstration.
- Introductions, Discussion of process and its history, our objective, tools and goals.
- Underpainting demonstration. (Illuminating the merits of drawing, design and value).
- Students set up and work on under paintings while Todd provides side-by-side easel assistance.
- Glaze demostration, students glaze paintings while Todd provides side-by-side easel assistance.
- Final critique.
Supply List
(I buy my supplies at Jerrysartarama.com, Dickblick.com, Cheapjoes.com, Utrecht.com)
Please bring a table easel or portable standing easel...I have extras if you don't have one so please let me know if you need one.
Palette
I recommend a wood palette. I have glass too for one of my boxes...try to avoid paper palettes..
Paint
A simple split primary palette is more than enough. Feel free to bring whatever paints you have in your art box. Here are the paints I use below:
* Alkyd Titanium White (Alkyd is a quick dry paint that plays nice with oils).
* Cadmium Yellow Medium
* Yellow Ochre
* Cadmium Red medium
* Alizeran Crimson Permanent.
* Ultramarine blue
* Cerulean Blue
* Sap Green (alternative).
(Pro-tip: Winton is student grade, please don't buy this as it is filled with a lot of binder, filler and less pigment).
Painting surface
Canvas, canvas or linen mounted on board or gessoed wood panel...I recommend (8x10”) or (9x12”). Please don't use the Michaels gessoed panels that are super slick.
Brushes
*Assortment of bristle brushes (I suggest medium and small sizes in three styles: Flats, Rounds and Filberts. I mostly use Robert Simmons Signet series flats #3, #6)
*Small synthetic rounds for details. (I suggest Winsor and Newton Septre Gold 2 in the 404 series...size 4 and / or size 6)
* I also use chip brushes, quarter inch, half inch or up to two inch for broad areas. These are the cheapo type you get from the hardware store for about a dollar.
Other
*Trowel type Palette knife
****Gamsol (Turpentine substitute) with container or medium glass jar (No turps aloud in studio, sorry, please use Gamsol.
*paper towels (Blue shop towels are the best)
*Soft pencil, eraser and sketchbook
*Ruler, straight edge or a mahl stick (something to make straight lines with is handy)
*Artist paint box for supplies
*Wet paint carrier. I love the PanelPaks...they are lightweight and convenient or you could use a pizza box.
**(I have extras of everything so please do not stress or panic if you can’t something etc…For best deals, shop online at Jerrys Artarama, Dick Blick, Utrecht or Cheap Joes.
Recommended reading
- Art Spirit by Robert Henri
- Alla Prima 2, (Everything I know about painting) by Richard Schmid
- Hawthorn on Painting by Charles Hawthorn
- Drawing on the right side of the brain by Betty Edwards
- Composition of outdoor painting by Edgar Payne
- Carlsons guide to landscape painting by John Carlson
- Landscape Painting: Essential concepts by Mitchell Albala
- Landscape Painting inside and out by Kevin MacPherson
www.toddbonita.com
www.toddbonitagallery.com
